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Cuando Lo Sepa, Te Lo Digo - Radio...tocame y escucha... / ...touch me and hear... |
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Cuando Lo Sepa, Te lo Digo - Episodio 11 (en período de prueba) - Regina Spektor
January 29, 2008 01:38 PM PST
Spektor further developed her classical piano training by attending the SUNY Purchase Music Conservatory. During her studies, she was exposed to blues and jazz artists, including Billie Holiday. These sounds made such an impact on Spektor that they became a big part of her self-released 2001 debut album, 11:11. At the same time, she was also playing gigs anywhere she could in the city, in venues ranging from basements to parties to comedy clubs. On the strength of her frequent performances and another self-released album, 2002's Songs, Spektor developed a following that included Alan Bezozi, They Might Be Giants' drummer. He introduced Spektor to the Strokes' producer, Gordon Raphael, and both worked with Spektor on her third album, Soviet Kitsch, in both New York and London (where she collaborated with the band Kill Kenada). Soviet Kitsch was initially self-released like her other work, but it eventually found a wider release with Sire Records. Tours with the Strokes, Kings of Leon, Mates of State, and the Moldy Peaches' Kimya Dawson further raised Spektor's profile. She also toured the U.K., where the success of "Us" as a European single led to the release of the CD/DVD retrospective Mary Ann Meets the Gravediggers and Other Short Stories early in 2006. That summer, Begin to Hope, her first album of original material for Sire, arrived. Begin to Hope enjoyed popularity on both sides of the Atlantic and went gold in America, where it also cracked the Top 20. After taking several years to tour and compose new material, Spektor returned in 2009 with Far |
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